SIFF Musings - Final week

Some final thoughts regarding my experience at this year’s Seattle International Film Festival.

·         It amazes me after all these years that there are people who have lived in Seattle for a while and have still never attended even one film at the festival. I’m always pleasantly surprised at how many folks I meet each year that are attending their first festival. And you can ALWAYS TELL the newbies – they’re the ones that are surprised at the long lines and perturbed that they have to sit in the front row because they didn’t arrive at the venue until 10 minutes before the movie was scheduled to start.

·         My friend Ross and I kept are “Spain streak” alive! For probably the ninth or tenth year in a row I’ve seen at least one film from Spain at the festival. That country almost never disappoints, and this year was no exception; Living Is Easy With Eyes Closed was one of my favorites from this festival’s offerings.

·         I really lucked out this festival or perhaps have developed a more discerning eye because, I ranked almost all of the films I caught this festival with at least a “4”.

·         I didn’t see nearly as many documentaries as I usually do each SIFF [only two]. This doesn’t bode well for me for next year’s Oscar Death Race™.

·         This was also one of the first SIFFs in some time where there were at least 5 movies that I really wanted to see, but was unable to, due to schedule conflicts etc. I’ve been lucky in the past to catch almost everything I wanted. I really hope I’ll get my chance in the coming weeks/months at SIFF Cinema. (I’m looking at you – “Shake The Dust”, Not My Type, Boyhood, Yves Saint Laurent, Family United, and To Fool A Thief)

And the last of my reviews for the year:

The 100-Year-Old Man Who Climbed Out the Window and Disappeared – Sweden

A fantastical tale, done in what I call “Forrest Gump” style, where the protagonist unwittingly gets involved with and/or influences various famous events and people in history. This was a fun comedy involving a wily centenarian who through circumstances, accidentally makes off with 50 million in drug money. A hilarious road trip movie featuring a cast of characters like no other. I wasn’t expecting the movie to be narrated in English, but that was a nice touch. 

Boys – Netherlands

This is a very sweet coming-of-age story about first-time summer love. It tells the story of 15 yr old Sieger, who with his best friend Stef is training for the National Relay Track and Field Championships. Their coach sets up Sieger and Stef with his two other best runners, and Sieger struggles with his feelings and emotions once he realizes that he is falling for teammate Marc, a free-spirited outgoing teen who doesn’t hide the fact that he has the same feelings for Sieger. It makes me smile to think that young gay teens have movies like this available to them.

Final Recipe – South Korea, Thailand, Singapore

A story about a Chinese teen who hopes to save his grandfather’s struggling restaurant in Singapore by competing on a popular “Iron Chef-style” televised cooking competition. Starring Korean pop idol Henry Lau in his acting debut. This movie was cheeseball corny and predictable; but so enjoyable that you just didn’t care. I can imagine this coming to Netflix within the next few months, and would recommend it if you want something that cute and great for the whole family.

Creep – USA

I ended this year’s festival with an unnerving but fairly well-done film from multi-hyphenate indie darling Mark Duplass. In it he plays a terminally ill man who puts an ad online looking for someone to film a last testament that he wants to leave for his unborn child. Struggling videographer Aaron answers the ad and heads to the dying man’s remote Northern California cabin where bizarre and nasty surprises await him. Eh, I think I was too tired to actually appreciate this movie fully. And although I did get a chance to make eye contact and smile at Mark Duplass, who was in attendance, I did not stick around for the Q&A afterwards because I was falling asleep and new episodes of Orange Is The New Black were waiting for me at home.

 

 

 

For the Love of... Taylor Kitsch

 In 2006 I was introduced to Taylor Kitsch and his beautiful face (and THAT BODY) on the TV show "Friday Night Lights". Tim Riggins was the best, and although he rarely cracked smiles like the one he's sporting in the photo below, Kitsch's Riggins was one of the most complex characters written for television for that time period when vacuous reality television was exploding and taking over everything in its path.

In interviews Kitsch always comes off as sort of a doof. A Canadian muscle-bound dumdum who is very earnest and sincere but sort of an airhead. I actually think he has "Keanu Reeves disease", where his good looks and sort of stoner goof voice make him seem way dumber than he actually is. I kept waiting for him to land a film role that would show the type of depth that he was able to show on FNL. Instead his muscles and face just kept on getting him action hero roles which was fine. (As an aside - John Carter is totally underrated and is a great action/sci-fi movie)
Well 2014 may just be Taylor's year to shine. First, we get to see his heartrendingly raw and captivating performance as Bruce Niles in HBO's The Normal Heart, Ryan Murphy's well done adaptation of Larry Cramer's famous play. When Kitsch as Bruce tells the story of his boyfriend Albert's horrible death...I cried buckets. Also Kitsch was really made to wear those early 80s power suits.

Then last weekend I had the privilege to see Taylor Kitsch stretch his comedic and romantic lead wings in the great Canadian comedy The Grand Seduction, about the residents of a small Newfoundland fishing town who attempt to hoodwink a hot, young Toronto doctor into moving to their small harbor and setting up a clinic practice so that the town can secure the bid to have a big factory build there and bring needed jobs to their struggling community. This is another SIFF film that I think will get a wider release, or at least be available on demand or dvd soon, and I would highly recommend it. Also? It has Taylor Kitsch in it looking like this:

SIFF 2014 Reflections and Reviews: Week 2 May 27th - May 31st

The middle week of SIFF is always my favorite. I usually am in my groove by this midway point; seeing about a film a day, often recognizing other festival goers/members from other screenings and striking up nice conversations and discussions regarding the films we've enjoyed (or not enjoyed) so far.

This halfway point of the festival is also typically when I find myself attending the festival movies solo. There's something about experiencing these films by myself that becomes a form of therapy. The ultimate "me" time. That's not to say that I don't also love going to SIFF with friends - I was lucky to have both experiences this year.

Starred Up - U.K.
Talk about intense. This powerful and gritty drama is set in a Northern Ireland prison and pits son against father. We meet Eric Love, an angry teen prone to explosive fits of rage set off by the slightest action. He's been transferred or "starred up" to an adult prison and within the first 5 minutes of the movie he's already making shanks out of toothbrushes, expertly hiding them in light fixtures, and setting up his bottles of baby oil on a shelf for the purpose of fighting. Eric also preps for meeting his father (played by the always brilliant Ben Mendelsohn) who has been one of the kings of the prison for over a decade. Things just blow up from there. I felt like I was clutching my gut muscles the entire 100 minutes of this film. Not for folks who can't handle seeing grown men get punched within an inch of their lives, but well worth the watch.

Free Range: Ballad on Approving of the World - Estonia
Omigod, this fucking thing. I HATED THIS MOVIE. This goes down as the only SIFF film that I've ever walked out of; I left with about 20 min left because I couldn't stand this self-indulgent piece of crap any longer. One of the reasons I'm so angry is because I feel like I was duped by the SIFF staff programmers. Just take a look at the description:
This stylish Estonian joy ride follows slacker Fred, who struggles with feelings of nihilism after getting fired for writing an unfavorable review of Terrence Malick’s film Tree of Life. Finland’s official OSCAR® submission for Best Foreign Language Film.
That sounds like it would be a pretty good movie, right? You guys, when I say that nothing happens in the first hour of this turd, except for scenes where this dumbass Fred kid just drinks with his weirdo friends and ignores his dumb girlfriend, I'm actually overstating how engaging it was. IT WAS ANNOYING. And I can't believe that Finland had the nerve to submit this for Oscar consideration. What a joke! There is not one redeemable character in this film. When I finally figured out about 90 min in that the waste-oid loser old man who literally lives in a 300 sq ft space filled entirely with books, who Fred confides in was actually his father, and not some misguided bachelor mentor guy, I couldn't take it anymore. I wanted my money and my time back.

Sam and Amira - USA
Thank god I was able to follow up the bad taste that the Estonian crap-fest left in my mouth with this touching and poignant love story. This film traces the relationship between Sam, an American soldier just back from two tours of duty, and Amira, a young Iraqi illegal immigrant on the brink of deportation. Set in NYC in 2008, we follow these two kindred souls find love and support in each other as their families and the city around them fight them at every turn. This was a really beautiful film. I can't believe it is director Sean Mullin's debut feature. And you guys, Martin Starr, yes THAT Martin Starr, was amazing as Sam. Both Starr and Dina Shihabi who played Amira were at the screening I attended. I got a chance to privately talk to them before the official Q&A and tell them how great I thought they both were in the film. They were both very gracious and sweet. And seemed pretty close, like maybe dating close. I hope that Starr is a big enough name that this movie will get a wide release because everyone should see it.

SIFF Reflections and Reviews Week 1: May 20 - May 26

I've fallen way behind in my SIFF 2014 reviews over these past couple of weeks. I've seen some amazing films and I hope they come your way in a small art-house theater or on Netflix in the near future.

3 Mile Limit - New Zealand
A sweet film set in 1965 New Zealand that tells the true story of Radio Hauraki, the pirate radio station that was started by a handful of dedicated friends and rock-n-roll fans who fought the New Zealand government who controlled the airwaves with an iron fist at that time. I was totally unfamiliar with this story and found the film quite delightful.

We Are The Best - Sweden
Set in 1982 Stockholm, the awesome coming-of-age story of three teenage outcast girls who form an all-girl punk band and whose friendship bonds them as family. Uplifting and exhilarating; every girl between the age of 12 and 82 should see this movie. The three young leads are amazing.

Mystery Road - Australia
A dark, moody, well done murder mystery, tackling the tough subject of racial tensions in modern-day Queensland. Combining aspects of a classic Western with a police procedural, this tight thriller keeps you engaged. The first of 3 films this festival for me that featured Hugo Weaving in a major role. He's having a good SIFF. Aboriginal actor Aaron Pedersen in the lead role as Detective Jay Swan was a revelation. Where has this tall drink of water been all my life?!

Living Is Easy With Eyes Closed - Spain
Hands down, one of my favorite films of this year's festival. This is a heartwarming, lovely comedy set in 1966 southern Spain. It tells the story of Antonio, a high-school English teacher in Madrid who uses lyrics from Beatles' songs to teach his kids and considers himself somewhat of a super-fan. When Antonio finds out that John Lennon is filming a movie in the coastal town of Almeria, Antonio sets out in his little Fiat to meet his hero and tell him just how much his music has made an impact on his students. Along the way he picks up two different hitchhikers, a young pregnant woman, and a runaway teen boy. This is one of those films that sums up why I bother going to SIFF every year - I would never be exposed to a wonderful film like this otherwise. Fingers crossed that Netflix eventually picks it up.

International Male - Various countries
A collection of short films focusing on gay men, ranging in subject, content, genre, and quality. My faves were probably the US "Dragula" featuring an unrecognizable and wonderful Barry Bostwick as an aging LA drag queen, and the Iranian "Aban + Khorsid" a heartbreaking story of a gay couple killed because of their love.

The Turning - Australia
An ambitious, groundbreaking, spectacle - 18 different short stories that are woven together into this staggering piece of work. Featuring pretty much every Australian actor working in the industry today. Hugo Weaving (drink!), Cate Blanchett, Naomi Watts...a million others. Not for everyone, but I enjoyed it. This will definitely be coming to your local art-house theater this summer.

The Amazing Catfish - Mexico
A touching family drama introducing us to Claudia a lonely young woman without any family who is hospitalized for appendicitis and there meets Martha, a single mother of 4 in her mid-forties who is dying of AIDS. A fast friendship and a close maternal bond forms between Martha and Claudia, with Martha recognizing that Claudia needs her family, and that Claudia may be the solution that they need to go on making it as a family after Martha dies. I had a hard time connecting emotionally to this film, although it had all of the ingredients to hook me, it just never did. I'd still recommend it though.

Remote Control - Mongolia
Every year, I try to see at least one SIFF film from a country that I've never seen a film from. This year, one of these entries was this drama about a young man who runs away from his rural village and attempts to eek out an existence in the big city. The description in the SIFF catalog did not at all accurately describe this movie's story. I'm still on the fence about it. My friend Ross really liked it; and we managed to discuss it for like 40 minutes afterwards in a coffee shop, so maybe that's what good film is all about.

I Am Big Bird: The Carrol Spivey Story - USA
Unlike previous years, this SIFF I've only seen 2 documentaries. This one about the puppeteer for Oscar the Grouch and the man who has worn the Big Bird framed costume for almost 5 decades was a real gem. Carroll Spivey attended the screening with his lovely wife and was so entertaining. AND he brought Oscar!! It was so great to see my favorite "Sesame Street" character up close. Yes, of course Oscar the Grouch is my favorite. Have you met me?

The Healing - Australia
Completing my Hugo Weaving SIFF trifecta was this moody little movie about a prisoner who learns about redemption and rehabilitation from taking care of birds at a minimum security prison in Melbourne. Everyone in my audience seemed to enjoy this film more than I did. It wasn't terrible; it was just "fine".

SIFF 2014 - SIFF musings: Opening weekend

SIFF 2014 Musings and Reviews –

May 16, 2014 was the start to this year’s Seattle International Film Festival. As usual I forwent the

Opening Night Gala and began my festival on the first Friday by seeing two films. I only made it to one

documentary on Saturday (I do have a life beyond SIFF!), and rounded out my weekend with two very

different comic dramas on Sunday.


Everything We Loved – New Zealand

Proof that sometimes a trailer and a description of a film can be VERY misleading. This was one moody

little nub of a movie. I was not engaged with any of the characters at all. I just waited for the two leads

to get caught for their crime for the entire 100 minutes, and even when that happened, it wasn’t a

satisfying feeling. Wasted potential here.


Attila Marcel – France

The first live-action film from director Sylvain Chomet who has thrilled us previously with animated

gems, The Triplets of Belleville and The Illusionist. This movie was a visually stunning, quirky, whimsical

musical treat! Like a darker, slightly edgier “Amelie”. HIGHLY RECOMMENDED.


Alive Inside: A Story of Music and Memory – USA

My first documentary of the festival was this enjoyable look at how music can be used as a treatment

for the care of Alzheimer’s and dementia patients. Really remarkably touching.


In Order of Disappearance – Norway

Norwegian “Fargo” y’all! A dark comic thriller that was so damn enjoyable, it may end up being my

favorite film of the festival and it’s only opening weekend! Starring the always great, Stellan Skarsgard

as a Swedish émigré snow-plow driver living in a small northern Norwegian town. His quaint, idyllic life

is turned upside down when his son his murdered and he sets out to avenge his son’s death. Please look

for this film at your local arthouse theaters – it is a gem!


The Double – U.K.

Do you like the movie Brazil, but wish it were more boring and starred Jesse Eisenberg instead of
Jonathan Pryce? Then “The Double” is for you. Adapted from a Dostoyevsky novella by actor-turned-
director Richard Ayoade. I really liked Ayoade’s first film “Submarine” from 2010. I wish this one had
been better.

SIFF 2013 - The Final Round Up

The 2013 Seattle International Film Festival finished up yesterday, June 9, 2013. I saw over 20 films which is my typical amount, but for some reason felt like more of an accomplishment this year than in the past. The theme for me this year was definitely "Documentaries". I saw eight in total and they were all amazing in their own unique ways.

As in years past, my picks for what was great at SIFF do not jibe with my fellow audience members. Did we see the same movies? That Nixon thing for best documentary? The hell? Totally don't get it.
Anyway, here are my reviews of the films I saw in the last week of the festival.

Alice Walker: Beauty in Truth -
Wow. Was there a lot I didn't know about one of my favorite authors. Walker's life has been fascinating. And who knew about her weird daughter totally cutting Walker out of her life recently. Bonus: Alice Walker was there and I got to shake her hand. I had this weird moment when she was holding my hand that my mother was watching; I started to tear up. I hope she didn't notice, or that if she did she just thought that I was some weird super fan and just dismissed me. I'd rather that than have to explain that Alice Walker was weirdly giving off "mom vibes" to me?

Twenty Feet from Stardom -
One of the few documentaries that I saw that will definitely be getting a wide release distribution nationally. Meaning that most of y'all will be able to see it at some point this summer and you definitely should. Spanning the past 50 years, this doc profiles the oft-forgotten/ignored back-up singer, and how backing vocals became really important and sort of defined the sound of pop music in the 60s and 70s. You will feel in turns anger, sorrow, amusement, hope, despair, irony, and elation while watching the struggles and success of these, mostly female, singers.

The Otherside -
Another fantastic documentary; I really lucked out in that department this SIFF. This one focused on the emerging and flourishing Seattle hip-hop music scene. With the success of Macklemore and Ryan Lewis a new spotlight is being thrown on a thriving music culture that many of us have been tuned into for years. Macklemore wasn't at the packed, sold-out screening I attended but all of the guys from Blue Scholars, and Physics were, along with other local acts. I'm not going to lie, while I enjoyed the hell out of the film, most of the annoying Seattle 20-somethings that showed up for it were annoying as fuck. Most had clearly never been to a SIFF film before and didn't understand any of the rules about getting there early (it's not like a regular movie venue), standing in two separate lines (pass holders vs. ticket holders), having physical tickets vs Will Call, parking permits - ALL of these details were confusing, or ignored by these kids who were super obnoxious about everything. But even this couldn't ruin my enjoyment of the evening.

Far Out Isn't Far Enough: The Tomi Ungerer story -
Yet ANOTHER great documentary that I never would have got to see anywhere else but SIFF. Did you guys ever read, or have read to you the children's books "Moon Man", "Adelaide", "The Three Robbers", "Flat Stanley" or any of the Mellops books? Or have you recently read to your own children the award winning "Otto: The Autobiography of a Teddy Bear"? These were all written and more importantly illustrated by the crazy and brilliant Tomi Ungerer. At 83 years of age he's still vibrant, crazy, and a genius that I want to have coffee with, and take long walks along the green valleys of his West Cork property in Ireland. His life was crazy. Little did I know about all of the controversy that was stirred up in the early 70s from his work in erotica. I guess my parents were even bigger radicals than I thought by sharing his work with me. Heartbreaking to see Maurice Sendak last interviews in this film. He was one of Tomi's closest friends and considered him a mentor. A truly great biography of a genius.

Prince Avalanche -
Every year SIFF seems to offer up a dud of a film. That one movie in my mix that seems promising and then UTTERLY DISAPPOINTS. This year I made it into the final days of the festival before encountering my dud. And surprisingly it starred Paul Rudd!? Paul Rudd! A man that can do no wrong in my eyes. And to be honest, Rudd was the only decent-ish part of this movie. The plot is...um...yeah, I don't fucking know. Emile Hirsch was baffling as usual; I want to like this guy - I can see he has talent - and yet he always ends up bugging the crap out of me. But seriously Hirsch and Rudd weren't the problem. The convulted story, the pacing (dear God the pacing!), the direction, the ending? it was all such rubbish. I definitely expected better from director/writer David Gordon Green. Seriously, WTF?!

The Girl with Nine Wigs -
I loved loved loved this movie based on a memoir, about a young girl struggling with a rare form of lung cancer. The movie changed the location and nationality of the heroine to Germany (the real young lady was from Amsterdam) but kept the heart and emotional pull that only true events can give a story. It has a happy ending, but I cried anyway. Once again, because it's a festival we were privileged to have the star of the film Lisa Tomoschewsky and the real-life Sophie, author Sophie Van der stop in attendance for a Q&A. It's films like this that I wish everyone could see, yet I doubt will get distribution in the states.

Love Is In the Air -
Another breezy, romantic French comedy. Nothing more to say than that. Very enjoyable. Strange that I ended up seeing two movies during the festival that featured lead Nicolas Bedos; he's I guess supposed to be handsome? His mouth is too weird for me. Seriously, his mouth is HUGE.

Bitch Hug -
My final film of the festival was a touching and charming coming-of-age drama from Sweden about ambitious, recent high school grad Kristin who has dreams of leaving her small Swedish town behind and making it big in New York City as a writer. It was nice to end the festival on this high note.

SIFF 2013 Weeks 2 and 3

My SIFF has continued over the last week and a half with a nary a dud in the bunch. I don't want to jinx anything, but this is the first time in years that I haven't been truly disappointed in at least one film.
That's not to say that I've loved everything; I haven't. But so far it has been a successful festival filled with some truly delightful film experiences.

Some reviews -

C.O.G. : On paper, this movie checked all of my boxes - Based on a David Sedaris short story, and the first time Sedaris has ever sanctioned and licensed an official adaptation of his work (check); starring the dreamy musical theater heartthrob Jonathan Groff (CHECK), with my boyfriend Corey Stoll, Denis O'Hare, and Casey Wilson in supporting roles (check); filmed on location in a part of Oregon that I'm familiar with (check); I thought that I would unequivocally love this movie. And I did love the acting performances. I just felt like the direction could've been stronger and that it let down the story a little. But given that this was only 29 yr old director Kyle Alvarez's second film, I'll grant him some slack. Also a travesty - neither Jonathan Groff nor Denis O'Hare (Tony award-winning musical theater geniuses)  got to truly sing; a missed opportunity of grave proportions.

The Punk Singer: An eye-opening and honest documentary about the life (or at least the past 25 years of it) of Kathleen Hanna, lead singer of Bikini Kill and Le Tigre, punk Riot Grrrl pioneer, wife of Adam "Ad Rock" Horovitz, and general kick-ass activist/feminist. Who knew about the true nature of her "fight" with Courtney Love all those years ago, or that she's been suffering from a debilitating form of Lyme disease for the past decade. A great archive of music history.
Bonus! - I was inspired to dig out my old Le Tigre cds. So damn good.

Atraco!: Set in Franco's Spain in the mid 1950s, this darkest of comedies from writer/director and Almodavar disciple Eduard Cortes, was just the type of Spanish film that I enjoy. The film is a fictional "what if?" telling of the events leading up to, and following the real-life theft of Eva Peron's jewels from Madrid in 1955. I thought this movie was so clever. I loved the twist on historical events.

Touchy Feely: The latest Lynn Shelton film. I personally liked her previous movie Your Sister's Sister more, but some of the performances in this one, especially from Josh Pais and Scoot McNairy, were great. It was filmed in the Capitol Hill, CD, and Madrona neighborhoods of Seattle where I live, so it was fun spotting the streets and houses that I knew.

Cutie and the Boxer: I'm not sure I can find the words to describe how much I loved this documentary about married Japanese artists Ushio and Noriko Shinohara. Director Zachary Heinzerling, who won the Directing award this year at Sundance, explores Ushio and Noriko's complicated, co-dependent relationship that is as complicated as it has been nurturing for their art careers. The doc focuses on Ushio, who at 80 years old is trying for one more successful show to seal his artistic legacy, while the 59-year-old Noriko is finally making a name for herself with her "Cutie" series of R. Crumb-like illustrations depicting her relationship with Ushio and his earlier struggles with alcoholism. Through vérité camerawork, archival footage, and animated sequences of Noriko's drawings, Cutie and the Boxer is an intimate, funny, uncompromising portrait of the Shinoharas's unique, and unconventional love story. GO SEE THIS MOVIE if you can.

Flight of the Storks: French director Jan Kounen has ambitiously brought Jean-Christophe Grangé's famous novel to the big screen. People have tried for years to adapt this mystery thriller from page to film and have never succeeded because it's hard to cut the content down to fit a movie's acceptable length. Kounen had tried to adapt the book a decade ago and could never figure out how to cut it down under 3 hours, and when he was approached by producers 10 years later to try again, he said he'd do it only if he could do it as a mini-series; but secretly dreamed of showing it on the big screen. The mini-series played on TV in France earlier this year, but SIFF got the world premier of it as a feature film. I must say that it didn't feel overly long, per se, but it was super distracting having all of the people sitting around me in the theater constantly getting up and going to the bathroom. I would love for HBO to buy the distribution rights for this so that I could watch it again in the comfort of my living room. I enjoyed the heck out of it. Especially loved Harry Treadway (Helloooooo twin brother of hottie actor Luke Treadaway) in the lead role.

Two Weddings and A Funeral: Like a wackier, Korean version of the gay classic "The Wedding Banquet". It was cute, but not that memorable.

 A Band Called Death: You guys. This documentary may have changed my life. I loved it so very much. It tells the story of the Hackney brothers David, Bobby, and Dannis who in the early 1970s started a band in their native Detroit that might have been the birth of punk rock. I can't recommend renting/buying/downloading this movie as soon as you can. Especially if you're a fan of rock music. Or family. Or a human being. Excellent.

Zaytoun:  Um, you guys? I may have voted for Stephen Dorff for Best Actor for the SIFF Audience awards. He was AMAZING in this film. He made me cry. I know, I'm just as surprised as you. The setting is war-torn Beirut in 1982. Dorff plays a downed Israeli fighter pilot who makes a deal with one of his capturers, a 12-yr old Palestinian boy named Fahed, that he will smuggle Fahed across the border and take him to his former Palestinian home if the boy helps him escape Lebanon. This movie! I had a lot of emotions about it! I don't get how Dorff can make such awful dreck for years, and do dumb commercials for electric cigarettes, and then turn around and give a performance like this. Flabbergasting.

Thérèse: Damn, this movie bugged me. Again, on paper this film should've been right up my alley. Famous filmmaker Claude Miller's last film (yes!); starring Audrey Tautou, who I've loved since her breakout turn in Amelie (Yes!); adapted from the François Mauriac's legendary 1927 novel about French provincial life (YES!). Instead, from the very first 5 minutes I was annoyed. The movie's plot takes place between 1922 and 1931, yet there were clothes, and items like bicycles and boats that seemed anachronistically out of place - I said out loud more than once "Is this supposed to be 1928 or 1958?" - that I found so irksome and it was hard for me to enjoy anything. Also, Audrey, sweetie, I love you dearly, but as gorgeous as you are, and you're beautiful, you are too long in the tooth to be playing a young lady of 21. It was almost laughable in scenes when you could see her wrinkles. Again, no hard feelings! I'm old too! I love her, but damn, come ON! Gorgeously shot though. It made me want to fly to southern France and Bordeaux immediately.

SIFF 2013 - Week 1 (so far...)

This year, the festival got off to a late start for me because I was enjoying the heck out of an impromptu vacation on the Oregon coast. But as soon as I got back into town, in fact within hours of being back in Seattle city limits, I was at the SIFF Uptown theater to see my first film of the festival, a Turkish drama called Jin. Sort of like "Run, Lola, Run", but with a 17yr old Kurdish freedom fighter. This was a sad and beautifully shot movie with "magical realism" qualities blended with some seriously brutish storytelling.
I'm glad I saw it but I'm not sure I'd recommend it.

Next up was the DELIGHTFUL French romantic comedy Populaire. You guys, I seriously love the French actress Déborah François. She's enchanting. I was first introduced to her last year at SIFF in another great romantic comedy, Les Tribulations d'une Caissière. Why the hell can't America make a good romantic comedy anymore?! Please take note American screenwriters and film studios - it is possible! Anyway, "Populaire" is set in Normandy in 1959, when being a secretary was all the rage! The movie centers around an International Speed Typing contest, and...You know what? It doesn't matter what it's about - I was charmed out of my pants! I haven't heard that much clapping or seen that many smiles on audience members' faces in years.

My third film in three days was the Spanish dark comedy Bypass. I can't have a SIFF where I don't see at least 2 films from Spain, and this seemed fun. It was just ok.


The last movie I saw as of this blog posting was a true gem from the Philippines. Bwakaw is a sweet, yet sad film starring the great Eddie Garcia as Rene, a curmudgeonly gay man in his late 70s, living in a suburb of Manila, who has nothing to do in his retirement except meticulously plan his death and rewrite his will on a daily basis. His best friend is his dog, the titular Bwakaw. When she gets sick, Rene's life gets turned upside down. You guys? Everyone was crying in the audience. BUT this is truly not a depressing movie. I wish everyone could see this film; the SIFF guide describes it as "life-affirming" and they got it right. This is the kind of movie that I count on SIFF exposing me to every year.

And this year's Oscar nominations go to...NOT Ben Affleck?!

The 2013 Academy Award nominations came out today. And I'm in a bit of a daze. Not because of the films that got nominations, like the 12 for "Lincoln" and the 11 for "Life of Pi", but for the individuals that didn't get a nomination in categories that they have dominated over these past months in other award nomination fields like the Golden Globes, SAG, DGA, and Critic's Association.

So while there were nominations that were not surprising at all, - I easily predicted 8 out of the 9 Best Picture nominees - like the Academy's continued love over nominating Steven Spielberg and his works, or their aversion to nominate action films (sorry "Skyfall"!), there were far more nominations this morning that knocked me out. Let's analyze those surprises, both good and bad.

Ben Affleck didn't get a Best Director nomination -
Hello? Did Academy members see "Argo"? Well they must have, they did give it well-deserved Best Picture and Best Adapted Screenplay nominations. But still, Affleck's brilliant direction is what gave this movie its energy and suspense. Anytime I'm on the edge of my seat, biting my knuckles, when I not only know what happened to the real people, but also read the autobiography that was the source material? That's a well directed film that deserves a nomination. Whom among the Direction nominees would I have eliminated instead? Probably David O. Russell. Silver Linings Playbook is great, but not necessarily because of the way it was directed.

Zero Dark Thirty got kind of shafted -
Okay, no it didn't, I'm being dramatic. It got 5 nominations, including Best Picture and Best Actress for Jessica Chastain. But still, it feels very strange and very wrong that Kathryn Bigelow didn't get a Best Director nomination. Is it because she already won an Oscar for directing a war film and the Academy voters decided that one was enough? Bigelow should've had the nomination that was given to Ang Lee, or dare I say it, Steven Spielberg.

Silver Linings Playbook locked up ALL 4 acting nominations -
A feat that hadn't happened in over 30 years; the last time being Reds in 1981. Both supporting and both lead acting categories have nominees from this quirky movie. Listen, I loved this film and think that Bradley Cooper and Jennifer Lawrence both earned their Best Acting noms. But DeNiro and Weaver? Not so much. I like both of these actors and thought they were very good in their roles, but they weren't Oscar-worthy performances. I mean damn, compare Jackie Weaver's other supporting actress Oscar nominated performance in "Animal Kingdom" to her character work in "Silver Linings Playbook". It's no contest! She was sooo flat in "Playbook". Her nomination should've gone to Nicole Kidman or Samantha Barks.

The Academy didn't neglect Quvenzhané Wallis or “Beasts of the Southern Wild” -
Because I saw this movie way back in early June 2012 at SIFF, it feels so strange to me to be talking about award nominations for it. I just figured that anyone who cared about this movie had blown their trumpets about it months ago and it was largely forgotten by now. But instead it was rewarded with not only a Best Picture nomination, but also a Best Actress nod for Wallis (will I ever be able to pronounce or spell her first name without looking it up 45 times?), and a surprising and yet worthy Best Direction nomination for Benh Zeitlin. Yay!

Amour wasn't too depressing for the Academy members after all -
I have yet to see this movie (doesn't open in Seattle until January 25), but everything I've read about it seemed to be summed up thusly - an amazing film, but depressing as hell, and not in a "moving" way. I thought for sure Amour would get snubbed by the nominators, except for the inevitable Best Foreign Film nod. But surprisingly, not only did Emmanuelle Riva get nominated for Best Actress, Michael Haneke got a nom for direction, and "Amour" was also nominated for Best Picture. Speaking of...why does it irk me so much when films are nominated in both the "Best Picture" and "Foreign" categories? I don't know, it just does!! It's annoying to hog both film categories - The Artist I'm looking at you. Grrrrr

Joel Kinnaman is sort of ruling my world right now

First there's his new movie Lola Versus, starring Greta Gerwig that I saw at SIFF last week and loved.

And let's face it - Joel's work as Detective Stephen Holder, is one of the only good things about the show The Killing; which has its second season finale this Sunday.

BTdubs, the scene with Holder wearing his "O.G. Original Gangsta" apron and making habanero jelly omelets is one of my favorite things EVER! I could've watched an entire show with just this.

He's the only reason I'll be looking forward to a third season of The Killing.

SIFF 2012 - Week 1 Review

The 38th Seattle International Film Festival kicked off May 18 (techinally May 17 was the opening gala, but I never attend those), and so far it's turning out to be one of the best festivals I've been to in years. I encourage anyone in Seattle to

Here's a look at what I've seen over the past 8 days -

Daas
A Polish costume drama set in the 18th century about the famous religious leader Jacob Frank? It sounded right up my alley, but boy was it convoluted. The two lead actors try their best with a rather annoying script, and it was beautifully shot, but again disappointing.

The Intouchables
This touching, amazing film based on a true story, has become the third highest grossing film in France, almost outgunning Titanic. If the SIFF crowd on Friday night was any indication, I can see why. The theater was packed to the rafters with everyone from the mayor to the random Seattle granny to the young, poor hipster barista in attendance, all laughing and crying their asses off. I fully expect this film to have buzz carry it all the way to the 2013 Oscars.

The Sex of the Angels
A steamy tale of a complicated love triangle, involving 3 young Barcelonians. This film continues my almost annual SIFF tradition of seeing a Spanish film that tackles the subject of ménage a trois. I will say that “Angels” approached the theme in a fresh way; and the sex scenes were HOT. The three leads, especially Alvaro Cervantes, were maddeningly attractive.

Take This Waltz
As I tweeted last Saturday after I saw this, actor turned director Sarah Polley has done the impossible – she somehow made me not only like Seth Rogen, but actively root for him in a film. Rogen as Lou, husband to the lead character Margot, played subtlety by Michelle Williams, was a revelation. He was quiet, and unassuming, and sympathetic in ways that really showed off his acting skills. Yes! Seth Rogen, believe it or not, has acting skills. Sarah Silverman as Rogen’s alcoholic sister Gerry was also great. That said, the two lead characters played my Williams and Luke Kirby weren’t sympathetic at all. I think we were supposed to understand why they’re committing infidelity and be forgiving, but instead I just found them, Williams especially, incredibly selfish and annoying. This movie got a ton of great buzz at Sundance…last year, and then couldn’t find distribution so has kind of floundered. Which is surprising because it deserves to be seen and discussed.

Fat Kid Rules the World 

So far, in my top 5 list of films that I’ve seen in the last 12 months. Amazingly directed, written, and produced by of all people, actor Matthew Lillard, this locally filmed and crewed Seattle-based labor of love was the definition of heartwarming. Newcomer Jacob Wysocki as the lead Troy was outstanding and Billy Campbell, playing Troy’s dad, continues to always knock it out of the park with whatever role he’s given. All of the cast and crew attended the packed screening that I was at, and the movie got a standing ovation at the end. GO SEE THIS!

Trishna
In one word – DEPRESSING. I knew going into it that it was a modern adaptation of Hardy’s Tess of the D’ubervilles, and I read that book back in highschool so I know that it’s not an uplifting story. But DAMN, was this a downer of a film. Freida Pinto was freaking gorgeous however.

The Woman in the Fifth

You guys? This movie was so annoying. And so FRENCH. Which is funny because while it takes place in Paris, it was made by a Polish director/writer. Anyway, this confusing as hell film revolves around Ethan Hawke’s character Tom, an American writer who gained fame and respect with his first novel, then subsequently lost both along with his French wife and their daughter when he did “something” that resulted in him being in a prison mental hospital for an indeterminate amount of time. He arrives in Paris at the start of the film, looking to reconcile with his ex and start seeing his daughter again, when she refuses and calls the police on him, he wanders the streets of Paris on a public bus and ends up being robbed of everything but his passport. And then the film begins in earnest with a confusing story involving Kristin Scott Thomas’ character Margit who may or may not be a ghost and/or a figment of Tom’s imagination? I wanted to punch someone after this thing was over.

Short Life

Good thing I had this amazingly shot documentary about Seattle’s Pacific Northwest Ballet company to cleanse my palette after the disaster that was “The Woman in The Fifth”. An unflinching, honest look at the life of a dancer at PNB; shot almost 4 years ago. It was great seeing familiar faces. And the dancing was incredible as usual.

The Do-Deca-Pentathlon
A nice, sweet, film. But overall just sort of mediocre. I’d recommend watching it on Netflix on a Sunday afternoon while folding laundry.

Bad Brains: A Band in DC

Growing up in the DC hardcore scene, Bad Brains was a group very close to my heart. This wonderful documentary provided an insightful, and unapologetically honest look at the band from their start in the late 70s to the present. The animation used in parts of the film was inspired!

Joshua Tree, 1951: A Portrait of James Dean

Self-indulgent and ridiculous. Beautifully shot, but with the dialogue so poorly written, and acting so wooden, it was a disappointment from start to finish. But James Preston looks so much like James Dean it’s uncanny.

Dissecting SIFF 2011 - Part 2

Continuing on with reviews and thoughts about this year's SIFF:

Young Goethe In Love  Germany - I didn't know much about Goethe before seeing this film. I knew he was a writer sometime in like the 18th century? and that his name is used by super prententious people to make others feel lame. After seeing this gorgeously shot period piece about the life and times of young Johann Wolfgang Von Goethe, I still can't say I know much about him, but boy did I enjoy the 2 hours of getting to know him a little. This film is so lush; a great romance told very sweetly with humor and pathos. Alexander Fehling who plays are hero Goethe is spectacular. I would consider buying this film if/when it gets released digitally.

Saigon Electric  Vietnam - This movie might be the standout of this year's festival for me. I had SO MUCH FUN watching this tale of disenfranchised youth in modern-day Saigon who are struggling to keep their dreams and hopes alive. It combines hip-hop dance battles and romance with a touching and sometimes sad story of poverty, alienation, loss, and loneliness. It was fresh and vibrant. After the screening I got to hang out with the American director Stephane Gauger (who is of Vietnamese descent) and he was great. This wonderful film is making the rounds of the festivals now, but it's scheduled for a wider release in the fall. See it if you can!!

The Names of Love   France - Gosh, French films can be wacky. But also so much fun. This comedic love story with a political bent was both. Sara Forestier plays Baya, a very promiscuous young political activist of mixed Algerian-French descent who is so far on the left she has made it her mission to seduce conservatives in order to convert them to her politics (see? French wackiness!). Her magic fails to work on our protagonist Arthur (played with great aplomb by Jacques Gamblin), a middle-aged Libertarian bird-flu expert she meets. The son of a French father and a Jewish mother, Arthur is, like Baya, an “outsider” in the increasingly intolerant France of Nicolas Sarkozy. Forestier and Gamblin are perfect in their roles in this intelligent and fun satire.

Salvation Boulevard   USA - This hilarious satire focuses on the evangelical movement in United States, and the hypocrisy and deceit that's often found in these religious cultures. Starring Pierce Brosnan as the pastoral leader of the Church of the Third Millenium, one of those new mega-churches with thousands of loyal followers including Carl (Greg Kinnear), an ex-Dead head pot dealer who "found the light" and a new wife and step-daughter through the church. Hijinks ensue when Brosnan's Pastor Dan accidentally shoots a philosophical rival of his and tries to put the blame on Carl. Good performances by all.

Amador  Spain - Amazing work by Magaly Solier as the lead character Marcela, a pregnant and panicked home care aide to the aging Amador. Really well paced and acted by everyone.

Love Crime  France - All About Eve meets Double Indemnity set in the high-powered competitive advertising world. So good. Kristin Scott Thomas kicks all sorts of ass (as usual) playing the powerful and rich advertising president Christine; I guess she's just exclusively doing French films now? It's disconcerting sometimes to not hear her speaking in English. Newcomer Ludivine Sagnier brings the main character of Isabelle to life and infuses her with so many different traits and personalities you don't know whether to love, hate, pity, or laugh at her. Excellent thriller.

Service Entrance  France - See what I mean about the amount of French films I saw this year? I LOVED this movie. A delightful upstairs/downstairs comedy of manners set in 1960s Paris. It should be rentable soon if you can't find it a your local art-house theater.

Killing Bono U.K. - Fun fun fun. A comedy based on Neil McCormick's true memoir about his time as a young man srtuggling to be a rockstar in late 70s Dublin. His band Yeah! Yeah! (later re-named Shook Up!), sadly, came to naught, while his rivals in The Hype changed their name to U2, and, well, the rest is history. Starring the immensely likeable Ben Barnes (Prince Caspian from The Chronicles of Narnia) as McCormick, the film depicts his constantly frustrated hopes while rubbing salt in their wounds by painting their bitter rival Bono as—annoyingly—a pretty decent guy.

Romeos  Germany - One of my top films from this year's festival. Set in Cologne, Germany, it tells the story of young transgendered man named Lukas, who is at a new university and reconnecting with an old friend of his from home when he was a "she". Lukas is also making new friends like Fabio, a gay lothario who seems so comfortable in his skin and his identity, that's like catnip to Lukas. Tensions arise as Lukas falls in love with Fabio and has to decide if and how much to reveal about his gender past. I can't tell you how moving this film was. I hope it can eventually get a wide enough distribution that a lot of people can see it.

Dissecting SIFF 2011 - Part 1

I'm really late with these posts. By like almost 2 weeks. In fact, I had every intention of posting same-day reviews of each film that I saw during the Seattle International Film Festival (SIFF), but obviously I was too lazy for that.

This year I saw 21 movies during the 3 week long festival. And unlike previous years, I didn't have to cram these viewings into weekends where I force myself to see 4 movies in one day. Because I was out on FMLA recovering from surgery, I had a lot of free time on my hands. And sitting in a movie theater was easy to do and didn't require a lot of exertion that would bust my stitches open.
Anyway, this was an interesting SIFF for me because I didn't see many films from Spain. I usually end up seeing at least 4 Spanish films (I guess I like them?) but this year I only saw two. In fact, this was the first SIFF where I ended up seeing more American films than foreign films. A definite first. And I saw a lot of comedies which I usually avoid at SIFF.
Here's the first rundown of what I saw this year. I'm throwing it out randomly but also sort of in viewing date order.

First, I'll lump together the documentaries that I saw, all produced from the United States:

Page One: Documentarian Andrew Rossi set up his cameras for one year inside the New York Times’ newsroom, with unprecedented access and insight into the paper’s operations. The doc show not only how new media is impacting the Times, but also how the paper reports on its own industry’s demise is a frank way. Everyone in the theater with me LOVED this film but I kind of didn't feeel that it was that great. Maybe I was just in a bad mood.

The Interrupters: From the guy that did Hoop Dreams, this doc told the story of inner city and gang violence in Chicago; focusing on three kids who are trying to make a difference. I won't lie, I cried like a baby in parts of this. Really well done, but you have to be in a certain mood to enjoy it I think.

Being Elmo: I saw this documentary on the last day of the festival, at the last minute, literally deciding to go 10 minutes before the show started because I happen to be driving by the theater it was showing in on my way home from dinner. I had purposely avoided the other showings that the film had had because I really really really hate Elmo. But you know what? I'm sort of in love with Kevin Clash, Elmo's famed "Muppeteer". The movie is an in-depth portrait of Clash and how he came to be one of  the most famous puppeteers of all time. Charming.

• High Road U.S. - Matt Walsh is one of my favorite comedians. And I really wish he had acted in this film that he acted and directed. I really enjoyed the story and a lot of the performances, but there were part of it where it was really obvious that the dialogue was entirely improvised. Someone like Rob Riggle or Ed Helms is going to kill it, but other actors made some of the scenes really drag. Newcomer Zach Woods was kind of awesome as the 16 yr old kid that is one of the centers of the film.
• Womb Germany - Oh boy. This movie was so messed up. I mean it was well crafted; but such a mind-fuck. Starring an entirely British cast, including Eva Green (Casino Royale) and Matt Smith (Dr. Who), if there was any SIFF film this year that I definitely would NOT see again it would be this one. Again, it was well acted and beautifully shot, but boy is the story creepy.
• Crying Out Canada (Quebec) - This was the first of two films I saw at SIFF out of Quebec, and dang, it's right what they say about the Quebecquois being radically different from the rest of Canada. This is a film about MEN, and men's EMOTIONS, and it is dark. So dark. It's about 3 generations of men who are struggling with various problems, including the protagonist Jo (dad, the middle generation) who is newly widowed and not handling it well, resulting in him committing a series of petty crimes that his adult son and his father try and cover up for him. I really liked the performances of the actors that played the son (Patrick Hivon) and the grampa (Jean Lapointe) and elements of the story are good, but I just couldn't get past how bleak everything was; and I think it was supposed to be a comedy?
• Beginners U.S. - This was probably the most high profile of the movies I saw this year at SIFF. And this is one of the first to have a major distributor and already be out in theaters. See this film if/when it comes to your town. I loved it. It stars Ewan McGregor and Christopher Plummer as a father (Hal) and son (Oliver) dealing with death, illness, and love. The story is told through two intertwining stories: in the present day, Oliver meets Anna, an alluring French actress who captivates him and gives him a way to heal from the recent and devastating loss of  father, which has happened soon after losing his mother to cancer. As Oliver grows closer to Anna, he is still hung up on the deep emotions that erupted when, at age 75, shortly after the death of his wife, Oliver’s dad Hal came out of the closet. The second story we see in flashback as Hal, disregarding his advanced years and a diagnosis of terminal cancer, gleefully embraces his senior bon vivant lifestyle; hitting the clubs, buying a new wardrobe, and, dating a man half his age. Throughout the film, these two narratives subtly illuminate each other, as Oliver strives to learn from his father’s profound lessons on hope, courage, and love. Did I forget to mention that there's also an adorable dog in the movie? A couple of other things - Christopher Plummer is still just as charming and great looking at age 82 as he's ever been. I didn't think it was possible for Goran Visnjic to be unattractive, but he is in this film as Hal's boyfriend. Also, coincidentally Visnjic and Plummer are both going to be in the upcoming US version of The Girl With The Dragon Tatoo which I'm very excited about. Finally, Ewan McGregor and director Mike Mills were at the SIFF screening of Beginners that I went to. McGregor is hot in person y'all.
• Natural Selection U.S. - This was a funny and entertaining movie, even if it didn't resonate with me that much or surprise me in any way. It stars comedian Rachael Harris as a Linda, a Christian housewife who is struggling to get pregnant who after her husband suffers a stroke, finds out about a secret adult son that her husband fathered. He asks her to track down his this son, a mullet-haired, drug-addled, escape convict named Raymond. The movie turns into a wacky road movie as Linda and Raymond travel back to grant Abe’s final wish. They form a bizarre relationship that changes them both dramatically. Natural Selection took the Grand Jury Prize and Audience Award at this year’s SXSW. And Matt O'Leary as Raymond was kind of a revelation.
• Jucy Australia -  Oh god, I loved this movie. Director Louise Alton tells a warm-hearted story set in Brisbane about BFFs Jackie and Lucy, (played by newcomers Cindy Nelson and Francesca Gasteen, real-life best friends who created the characters together), aka Jucy. The friendship is chronicled set against a story about them auditioning and putting on a production of Jane Eyre with their local community theater. You guys, this movie is like "AbFab" meets "Muriel's Wedding" for the new millenium. So charming and relatable and fun. I really hope it gets a wide distribution because everyone should get a chance to see it.

The 2011 Oscars are 2 days away!!!!

I can't tell you how jazzed I am about the upcoming Academy Awards ceremony on February 27, 2011. Even though a lot of the winners are foregone conclusions (congrats Portman, Firth, and Bale!), the fact that two of the most winsome and fresh-faced entertainers on Earth are hosting can't be bad right? Have you seen any of the promotional ads for the ceremony that ABC's been running this month? So funny.

And supposedly Hathaway and Franco are going to be doing various skits where they recreate scenes from famous movies from the past like Gone With The Wind. Is this why Franco posted behind-the-scenes footage of an homage the two do to Grease? Hey, no complaints here.

For those wondering about the results of my attempt to complete the Oscar Death Race this year, I am currently 8 movies away from the finish line, and although I'll be seeing two more before Sunday, I'm still going to fall short. But hey! I will have seen FIFTY of the 56 movies nominated for this year's ceremony, so I am pretty damn proud and pleased with myself. Sarah Bunting, who started this competition, wrote about her progress/results on NPR.org yesterday. I can't believe she made it so close. Damn Shakespearean movies. And foreign ones from Canada and Denmark! I'm sure that I could probably find at least some of these on an illegal Torrent site, but that's CHEATING so I'm not even going to try.
I'd tell myself "better luck next year" except that I think I was incredibly lucky that I happened to see so many of the nominated films at the 2010 SIFF, and I can't imagine getting that lucky again.

Come Sunday you will find me hanging out with some dear friends, cocktail in hand, snarking on people's outfits, talking about how dreamy James Franco is, and competing to see who can guess the most correct winners of the Oscar's 24 categories. Hope you have a similarly enjoyable experience!

Seattle International Film Festival 2010 Round Up

The 36th annual Seattle International Film Festival was a very enjoyable experience for me this year.
I attended 18 screenings total, which almost matches my festival attendance record of 22 movies. While that may seem ridiculously high to many of you reading this, it's nothing when compared to many SIFF-goers who easily see 40+ films during the three and half week period that the festival lasts.

I've listed the films I saw at the bottom of this post. The 5 movies highlighted in red were my absolute favorites, and ones that I would highly recommend everyone seeing. Some are available on Netflix, while others will actually be released in theaters soon.
Overall there wasn't one of the 18 that I saw that I disliked. A couple had disappointing endings, but unlike in years past, I didn't experience any stinkers.
There seemed to be a lot more people in attendance this year which was nice to see. I don't know if that had to do with better marketing, or the expanded venues (i.e. adding Pacific Place as a permanent SIFF site) that allowed more people to come out and experience SIFF.
More people also meant more assholes unfortunately. Like the "SIFF-passer", an unpleasant older woman with requisite fanny pack and ill fitting corduroy pants from Chico's, who sat in front of me for one film and objected to the fact that I was eating popcorn (very quietly and slowly I assure you). She kept on turning around in her seat every 2 minutes and glaring at me until I finally asked sotto voce - "Can I help you?!" - causing her to move to a different part of the theater. Or how about the couple who decided to buy Mexican take-out 4 minutes before getting to the theater and were OUTRAGED when told that they couldn't bring it in to eat during the movie. Geezus did they complain; I felt really bad for the young emo boys working at the Neptune theater that had to deal with them.
But these unpleasant people were few and far between and compared to previous years I was able to handle them a lot better.

Here's my list of 2010 festival screenings with some descriptions:

American films -

• Holy Rollers - coming to a theater near you. About young NY Hasidic Jews who worked as drug runners in the early 90s; based on a true story. It was the first time I really enjoyed a performance by Jesse Eisenberg.
• Every Day - Liev Schreiber is amazing and hot, that is all. No, that's not all. The description of this movie didn't really prepare me for one of the primary story lines involving Helen Hunt's character who has to move out and take care of her bitter, invalid sick father. I empathized and associated so much with the crap that she had to deal with that afterwards, I was left feeling very emotional and raw even though the movie has a pretty happy ending. I'm sure several people in the theater were wondering why I was crying as the lights came up.
• The Freebie - When did Dax Shepard become such a good actor?!
• Senior Prom - fun "mockumentary" done in the Waiting for Guffman style. And it was a local Seattle production too - I hope that means that more people will get to see it.
• Life During Wartime - oh Todd Solondz, you are so damn wacky.
• Miss Nobody - This was sort of like a mash up of 9 to 5 and Heathers. It was pretty good and it's nice to see cute superman Brandon Routh getting work.

Spanish Films -

• Mediterranean Diet - as I already talked about, this little Spanish gem was super entertaining...and super HOT.
• Me Too - Pablo Pineda, the actor who plays the main character Daniel in this sweet film is no short of amazing. Pineda has Down Syndrome and was in real life the first person with Downs in Europe to get an university degree and whose real life story was the basis for the movie.
• Gordos - what I would describe as a "typical" Spanish film. A dramedy about a Overeaters Anonymous therapy group.

Other foreign movies -

• Brotherhood - AMAZING. Powerful. Devastating. A must see from Denmark.
• Eleanor's Secret - A nice little animated film for book lovers from France.
• Air Doll - I loved this Japanese movie so much, until the last 15 minutes where it took SUCH a drastic and dramatic turn that it left a very sour taste in my mouth.
• Au Revoir Taipei - I keep describing this as a Taiwanese "Super Bad". Very fun!
• Hipsters - A PHENOMENAL musical out of Russia. I am praying for this film to get an American distributor.

Documentaries -

• Wheedle's Groove - Who knew that Seattle had a burgeoning funk scene in the 1970s? And who knew that Kenny G was once really f*cking cool?
• William S. Burroughs: A Man Within - I loved this old freak. What a great documentary about his life.
• Paris Return - a great small movie with a simple story about love, death, and family. CHARMING. Oh, and I would f*cking kill for Reuven and Pierluigi's apartment across from the Louvre.

Spanish 3-way? Yeah sure, why not...

I didn't know what to expect going into the Spanish film Mediterranean Food, my 6th movie outing for the 2010 Seattle International Film Festival. I only had the festival guide description to go by; there weren't any reviews to give me a clue, nor was I familar with any of the actors or the director.

All I knew was that it was an "erotic comedy" about a menage a trois that occurs between a female chef and her two lovers. Hey, sounds like a great way to spend a couple of hours on a rainy Sunday.

The three leads, Olivia Molina, Alfonso Bassave, and Paco Leon are very engaging and their love story in the film is surprising believable. Three-ways are difficult to make compelling; in films most end up either coming off as really cheesy or so rooted in fantasy that you can't imagine the scenario happening in real life. Mediterranean Food managed to make the idea of a menage a trois between these characters very natural. And I won't lie, the "realness" of the relationship made it that much sexier. I definitely wouldn't mind being in her position.

I mean what woman (or gay man) wouldn't want the gorgeous green eyed Leon gazing at them tenderly while hot, sex-on-legs Alsonso Bassave kisses your neck (and other areas)?

I would have liked for the story of Molina's character Sofia and her love of food and the progression she takes to becoming a top chef, to have been fleshed out a little more. I wanted the food scenes to be more Like Water For Chocolate and less like some episode of a bad soap opera about a chef. That and the horrible 90s smooth jazz score were the only small complaints I had for an overall really enjoyable film.

But let's get back to the good parts of the movie -

Did I mention that there's full frontal nudity from both Paco Leon and Alfonso Bassave in the movie? Yeah, I know, take a minute to gather yourself.

2009 SIFF Notebook - Day 1-3 review

The 2009 Seattle International Film Festival (SIFF) or as others amusingly call it - SIFF (Standing In line for Foreign Films), is underway.

I'm certainly not one of those scary SIFF "platinum pass" people that take the festival entirely too seriously and attend the opening and closing galas and go to hundreds of films during the 3 weeks that the festival lasts. But I definitely try to attend at least a few films each year. My record was I think 2004 when I saw 20 films, last year I only made it to one.

This year I bought a 6-pack pass and as of today, Day 4 of the festival, I've already seen three films and will probably see a couple more before the holiday weekend is through, so I'm off to a good start.

Robin and I met up Friday night for my first film of the festival, the documentary Trimpin: The Sound of Invention

This Trimpin dude (who only uses his surname like the eccentric he is) is totally crazy in the best possible ways. He's an artist, inventor, engineer, mad-scientist, musician, composer - genius! While I was familiar with some of his musical installation art pieces in different places like the Frye Art museum and the EMP, I didn't know anything about Trimpin so I really found this documentary about him to be fascinating. He's such a character! It was also great because Trimpin and the director of the film, Peter Esmonde were there to answer questions afterwards.

Next up for me on Saturday was the French film "Cliente" but translated for the festival as French Gigolo. Met up with my friend Ross who's in town from Portland for SIFF. I enjoyed this film about a successful woman in her 50s who, having been burned by love in a bitter divorce, satisfies her needs for sex and companionship by occasionally hiring male escorts. The performances by the lead actors, and even more by the supporting cast were excellent. And I enjoyed that although the film takes place in Paris, there isn 't any of the cliche "Parisian" shots evident. Truly the film could've been taking place in any city. But I did want the movie to be funnier for some reason. It was actually fairly dramatic and a little depressing. But good nonetheless.

The second movie I saw Saturday evening was the Spanish gay comedy Chef's Special. Although filled with cliches and a little silly, I really enjoyed the hell out of this film about Spanish chef and restaurateur Maxi, whose life changes when he's forced to take in his two children from a marriage that ended when he came out of the closet years before. Again the film is very silly, but everyone in it is delightful, especially the cute Benjamin Vicuna as Horacio, a closeted futbol star who falls for chef Maxi.

I'm looking forward to more SIFF films over the coming weeks.