Oscar Nominations - For 2014's year

One of my weird pet-peeves about awards season each year is that I get very touchy and pedantic about people saying things like "the 2015 Oscar nominations". In truth, the Academy Award nominations that were annouced this morning are for 2014. But it's exhausting and annoying to correct people (and I'm sure to be corrected) on this relatively minor issue.

Moving on! Early early this morning I dragged my ass out of bed to go down and turn my tv on to watch this year's nominations be announced live. I know most of my friends and loved ones think this is beyond weird; especially since I do it for pleasure and not for like my job or anything that is paying me money. It's a tradition and I sincerely do look forward to this time of year.

In many ways, the nominations for 2014 aren't that shocking, but there are some very weird and seemingly dumb omissions in various categories.

First, let's just get elephant in the room out of the way - 2, just TWO, nominations for Selma. And one of those is for dumb "Best Song", ironically the only award that the film has a chance of winning. You guys? Oprah is PISSED. But seriously, it's almost more insulting that the Academy threw Selma a bone by giving them the Best Picture nod. To not honor David Oyelowo's brilliant portrayal of MLK with a nomination seems bonkers. Sorry (not sorry) Bradley Cooper, you didn't deserve your Best Actor nomination this year, Oyelowo should be in your place.
And don't get me started about the travesty of Ava DuVernay not getting a nomination for Best Director. This I blame completely on the strangle-hold that "white dudes" have on directing award nominations. This year as in past years the field of directors to choose from is strong, but when I look at the eight Best Picture nominations, Foxcatcher isn't there - so does Bennet Miller deserve a directing nom? Eh, maybe. I actually would have replaced Morten Tyldum with DuVernay; the best part of The Imitation Game is Cumberbatch. I think Tyldum's direction was the weak link. Critic David Edelstein wrote a great piece for Vulture about this.

The other completely bizarre, "what were they thinking" omission from these nominations is that The LEGO Movie wasn't nominated for Best Animated Film. C'mon guys, that's just fucking stupid.

I won't be doing the Oscar Death Race this year. But I will be doing my usual routine; I will see every film nominated in the major categories. That means that I still have the following left to see before February 22 - American Sniper; Still Alice; Two Days, One Night; [caveat - there's no way I'm seeing that turd of a movie "The Judge" so I will be seeing Inherent Vice instead.]

So anyway, here's the full list for you to ruminate over:

Best Picture
Boyhood
The Imitation Game 
Birdman
The Theory of Everything
The Grand Budapest Hotel
Whiplash
Selma
American Sniper

Best Actress
Julianne Moore, Still Alice
Reese Witherspoon, Wild
Rosamund Pike, Gone Girl
Felicity Jones, The Theory of Everything
Marion Cotillard, Two Days, One Night

Best Actor
Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything
Benedict Cumberbatch, The Imitation Game
Steve Carell, Foxcatcher
Bradley Cooper, American Sniper

Best Supporting Actor
J.K. Simmons, Whiplash
Edward Norton, Birdman
Ethan Hawke, Boyhood
Mark Ruffalo, Foxcatcher
Robert Duvall, The Judge

Best Supporting Actress
Patricia Arquette, Boyhood
Emma Stone, Birdman
Keira Knightley, The Imitation Game
Meryl Streep, Into the Woods
Laura Dern, Wild

Best Director
Richard Linklater, Boyhood
Alejandro González Iñárritu, Birdman
Wes Anderson, The Grand Budapest Hotel
Morten Tyldum, The Imitation Game
Bennett Miller, Foxcatcher

Best Adapted Screenplay
Graham Moore, The Imitation Game
Anthony McCarten, The Theory of Everything
Damien Chazelle, Whiplash
Jason Hall, American Sniper
Paul Thomas Anderson, Inherent Vice

 Best Original Screenplay

Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo,Birdman
Richard Linklater, Boyhood
Wes Anderson and Hugo Guinness, The Grand Budapest Hotel
Dan Gilroy, Nightcrawler
Dan Futterman and E. Max Frye, Foxcatcher

Best Foreign Film
Ida (Poland)
Leviathan (Russia)
Tangerines (Estonia)
Timbuktu (Mauritania)
Wild Tales (Argentina)

Best Documentary Feature
Citizenfour
Last Days in Vietnam
Virunga
Finding Vivian Maier
The Salt of the Earth

Best Animated Feature
Big Hero 6
How to Train Your Dragon 2
The Boxtrolls
Song of the Sea
The Tale of Princess Kaguya

Film Editing
American Sniper
Boyhood
The Grand Budapest Hotel
The Imitation Game
Whiplash

Best Song

Gregg Alexander, Danielle Brisebois, Nick Lashley, and Nick Southwood, "Lost Stars" (Begin Again)
John Legend and Common, "Glory" (Selma)
Shawn Patterson, Joshua Bartholomew, Lisa Harriton, and The Lonely Island, "Everything Is Awesome" (The Lego Movie)
Diane Warren, "Grateful" (Beyond the Lights)
Glen Campbell, "I'm Not Gonna Miss You" (Glen Campbell ... I'll Be Me)

Best Original Score
Johann Johannsson, The Theory of Everything
Alexandre Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Hans Zimmer, Interstellar
Gary Yershon, Mr. Turner

Best Cinematography
Emmanuel Lubezki, Birdman
Dick Pope, Mr. Turner
Robert D. Yeoman, The Grand Budapest Hotel
Ryszard Lenczewski and Łukasz Żal, Ida
Roger Deakins, Unbroken

Costume Design
Colleen Atwood, Into the Woods
Anna B. Sheppard and Jane Clive, Maleficent
Milena Canonero, The Grand Budapest Hotel
Jacqueline Durran, Mr. Turner
Mark Bridges, Inherent Vice

Makeup and Hairstyling
Bill Corso and Dennis Liddiard, Foxcatcher
Frances Hannon and Mark Coulier, The Grand Budapest Hotel
Elizabeth Yianni-Georgiou and David White, Guardians of the Galaxy

Production Design
Adam Stockhausen and Anna Pinnock, The Grand Budapest Hotel
Suzie Davies and Charlotte Watts, Mr. Turner
Dennis Gassner and Anna Pinnock, Into the Woods
Nathan Crowley, Gary Fettis, and Paul Healy, Interstellar
Maria Djurkovic and Tatiana Macdonald, The Imitation Game

Sound Editing
Alan Robert Murray and Bub Asman, American Sniper
Martín Hernández and Aaron Glascock, Birdman
Brent Burge and Jason Canovas, The Hobbit: Battle of the Five Armies
Richard King, Interstellar
Becky Sullivan and Andrew DeCristofaro, Unbroken

Sound Mixing
American Sniper
Birdman
Unbroken
Interstellar
Whiplash

Visual Effects
Interstellar
Dawn of the Planet of the Apes
Guardians of the Galaxy
X Men: Days of Future Past
Captain America: The Winter Soldier

Short Film, Live Action
Oded Binnun and Mihal Brezis, Aya (Chasis Films)
Michael Lennox, director, and Ronan Blaney, Boogaloo and Graham (Out of Orbit)
Hu Wei and Julien Féret, Butter Lamp (La Lampe au Beurre de Yak) (AMA Productions)
Talkhon Hamzavi and Stefan Eichenberger, Parvaneh (Zurich University of Arts)
Mat Kirkby, director and James Lucas, The Phone Call (RSA Films)

Short Film, Animated
Daisy Jacobs and Christopher Hees, The Bigger Picture (National Film and Television School)
Robert Kondo and Dice Tsutsumi, The Dam Keeper (Tonko House)
Patrick Osborne and Kristina Reed, Feast (Walt Disney Animation Studios)
Torill Kove, Me and My Moulton (Mikrofilm in co-production with the National Film Board of Canada)
Joris Oprins, A Single Life (Job, Joris & Marieke)

Documentary Short Subject
Perry Films, Crisis Hotline: Veterans Press 1
Wajda Studio, Joanna
Warsaw Film School, Our Curse
Centro de Capacitación Cinematográfica, The Reaper (La Parka)
Weary Traveler, White Earth

Analyzing this year's Oscar noms

 

The 2014 Academy Award nominations were announced this morning, and due to crippling insomnia, I was actually up at 5:00AM PST to watch them live!

Here’s the full list pulled from the Academy Award main site.

I won’t be participating in the Oscar Death Race like I have the past few years, where the goal is to see EVERY SINGLE nominated film; I am returning to my old tradition of seeing every film for the major categories: Best Picture, all Acting nominations, Best Documentary, Best Screenplay (Adapted and Original), and Best Direction. I'm well on my way to completion. I only have a couple more.

Things that surprised me (Bad):

-          Joaquin Phoenix didn’t get a Best Actor nomination. While I’ve never been his biggest fan, he was amazing in “Her”, and probably deserved the nomination over Christian Bale. As much as I love Bale and think he was great in “American Hustle”, I’m not sure I’d say the role was Oscar-worthy. But then again I feel that way about all of the acting performances from “Hustle”; everyone was good, but there were others that were better.

-          The rampant category fraud going on with some of these acting nominations is irritating. Meryl Streep had the same amount of screen time, if not less, in “August: Osage County” than Julia Roberts did. They both gave powerful performances in that movie that deserve recognition, but they either both should be considered leads or in my opinion, both should be nominated in the Supporting category. This holds true for Christian Bale and Bradley Cooper; if you’re going to give them nominations, which again I’m not sure they earned in this year of bountiful great acting, they both should be for Supporting Actor.

-          Scarlet Johansson wasn’t considered for an acting nom for her voice work in “Her”. She did more acting with just her voice than many did with their whole body on screen.

-          I hate to say this but… Oprah really did deserve a Best Supporting Actress nom for The Butler. Jennifer Lawrence hijacked her Oscar.

Surprises (Good):

-          “Cutie and The Boxer” was nominated for Best Documentary! So excited that one of the best docs I saw last year is getting this recognition. This has been on Netflix for months, please do yourself a favor and see it.

-          “Despicable Me 2” got a Best Animated Feature nomination. After not making the cut for the Globes I was worried.

Things that weren’t surprising but were still great:

-          Jared Leto got one step closer to being an Oscar winner. It’s seriously so surreal.

-          Chiwetel Ejiorfor and Michael Fassbender got their nominations for “12 Years A Slave”. Well deserved. I worry that Chiwetel is going to lose what should rightfully be his Oscar to one of his fellow nominees.

Well, however the results turn out, it’s still my favorite season of the year!

SIFF 2013 Weeks 2 and 3

My SIFF has continued over the last week and a half with a nary a dud in the bunch. I don't want to jinx anything, but this is the first time in years that I haven't been truly disappointed in at least one film.
That's not to say that I've loved everything; I haven't. But so far it has been a successful festival filled with some truly delightful film experiences.

Some reviews -

C.O.G. : On paper, this movie checked all of my boxes - Based on a David Sedaris short story, and the first time Sedaris has ever sanctioned and licensed an official adaptation of his work (check); starring the dreamy musical theater heartthrob Jonathan Groff (CHECK), with my boyfriend Corey Stoll, Denis O'Hare, and Casey Wilson in supporting roles (check); filmed on location in a part of Oregon that I'm familiar with (check); I thought that I would unequivocally love this movie. And I did love the acting performances. I just felt like the direction could've been stronger and that it let down the story a little. But given that this was only 29 yr old director Kyle Alvarez's second film, I'll grant him some slack. Also a travesty - neither Jonathan Groff nor Denis O'Hare (Tony award-winning musical theater geniuses)  got to truly sing; a missed opportunity of grave proportions.

The Punk Singer: An eye-opening and honest documentary about the life (or at least the past 25 years of it) of Kathleen Hanna, lead singer of Bikini Kill and Le Tigre, punk Riot Grrrl pioneer, wife of Adam "Ad Rock" Horovitz, and general kick-ass activist/feminist. Who knew about the true nature of her "fight" with Courtney Love all those years ago, or that she's been suffering from a debilitating form of Lyme disease for the past decade. A great archive of music history.
Bonus! - I was inspired to dig out my old Le Tigre cds. So damn good.

Atraco!: Set in Franco's Spain in the mid 1950s, this darkest of comedies from writer/director and Almodavar disciple Eduard Cortes, was just the type of Spanish film that I enjoy. The film is a fictional "what if?" telling of the events leading up to, and following the real-life theft of Eva Peron's jewels from Madrid in 1955. I thought this movie was so clever. I loved the twist on historical events.

Touchy Feely: The latest Lynn Shelton film. I personally liked her previous movie Your Sister's Sister more, but some of the performances in this one, especially from Josh Pais and Scoot McNairy, were great. It was filmed in the Capitol Hill, CD, and Madrona neighborhoods of Seattle where I live, so it was fun spotting the streets and houses that I knew.

Cutie and the Boxer: I'm not sure I can find the words to describe how much I loved this documentary about married Japanese artists Ushio and Noriko Shinohara. Director Zachary Heinzerling, who won the Directing award this year at Sundance, explores Ushio and Noriko's complicated, co-dependent relationship that is as complicated as it has been nurturing for their art careers. The doc focuses on Ushio, who at 80 years old is trying for one more successful show to seal his artistic legacy, while the 59-year-old Noriko is finally making a name for herself with her "Cutie" series of R. Crumb-like illustrations depicting her relationship with Ushio and his earlier struggles with alcoholism. Through vérité camerawork, archival footage, and animated sequences of Noriko's drawings, Cutie and the Boxer is an intimate, funny, uncompromising portrait of the Shinoharas's unique, and unconventional love story. GO SEE THIS MOVIE if you can.

Flight of the Storks: French director Jan Kounen has ambitiously brought Jean-Christophe Grangé's famous novel to the big screen. People have tried for years to adapt this mystery thriller from page to film and have never succeeded because it's hard to cut the content down to fit a movie's acceptable length. Kounen had tried to adapt the book a decade ago and could never figure out how to cut it down under 3 hours, and when he was approached by producers 10 years later to try again, he said he'd do it only if he could do it as a mini-series; but secretly dreamed of showing it on the big screen. The mini-series played on TV in France earlier this year, but SIFF got the world premier of it as a feature film. I must say that it didn't feel overly long, per se, but it was super distracting having all of the people sitting around me in the theater constantly getting up and going to the bathroom. I would love for HBO to buy the distribution rights for this so that I could watch it again in the comfort of my living room. I enjoyed the heck out of it. Especially loved Harry Treadway (Helloooooo twin brother of hottie actor Luke Treadaway) in the lead role.

Two Weddings and A Funeral: Like a wackier, Korean version of the gay classic "The Wedding Banquet". It was cute, but not that memorable.

 A Band Called Death: You guys. This documentary may have changed my life. I loved it so very much. It tells the story of the Hackney brothers David, Bobby, and Dannis who in the early 1970s started a band in their native Detroit that might have been the birth of punk rock. I can't recommend renting/buying/downloading this movie as soon as you can. Especially if you're a fan of rock music. Or family. Or a human being. Excellent.

Zaytoun:  Um, you guys? I may have voted for Stephen Dorff for Best Actor for the SIFF Audience awards. He was AMAZING in this film. He made me cry. I know, I'm just as surprised as you. The setting is war-torn Beirut in 1982. Dorff plays a downed Israeli fighter pilot who makes a deal with one of his capturers, a 12-yr old Palestinian boy named Fahed, that he will smuggle Fahed across the border and take him to his former Palestinian home if the boy helps him escape Lebanon. This movie! I had a lot of emotions about it! I don't get how Dorff can make such awful dreck for years, and do dumb commercials for electric cigarettes, and then turn around and give a performance like this. Flabbergasting.

Thérèse: Damn, this movie bugged me. Again, on paper this film should've been right up my alley. Famous filmmaker Claude Miller's last film (yes!); starring Audrey Tautou, who I've loved since her breakout turn in Amelie (Yes!); adapted from the François Mauriac's legendary 1927 novel about French provincial life (YES!). Instead, from the very first 5 minutes I was annoyed. The movie's plot takes place between 1922 and 1931, yet there were clothes, and items like bicycles and boats that seemed anachronistically out of place - I said out loud more than once "Is this supposed to be 1928 or 1958?" - that I found so irksome and it was hard for me to enjoy anything. Also, Audrey, sweetie, I love you dearly, but as gorgeous as you are, and you're beautiful, you are too long in the tooth to be playing a young lady of 21. It was almost laughable in scenes when you could see her wrinkles. Again, no hard feelings! I'm old too! I love her, but damn, come ON! Gorgeously shot though. It made me want to fly to southern France and Bordeaux immediately.